Backlog
151Under consideration
Allow "Clear Delay" to be automated/midi programmable, "on" or "off".
This request would be to automate the clear delay. Example use case: When a playing a chord progression, such as a pluck with the lowest note that is the same as the sub bass such as B#, then you play a second chord that has a different lowest note “bass note” such as C, the feeback from the previous chord progression and would play into the next progression, meaning the old B# bass note would trail into the new C lowest note. This is not what you want. Clear Delay would allow you to clean up feedback whenever you need it, for cleaning mixes such as this, or other creative uses such as building risers. By allowing automation of “Clear Delay” we are able to kill the delay everytime we do not want previous delay bleeding into our next chord progression. This is a relatively simple update that would bring substantial use.
Convolution mode for Swarm Reverb.
Swarm Reverb is a great effect with decent sound. However, considering the concept of all the company's effects, it doesn’t fully unlock its potential, nor the potential of the Current synthesizer. A Convolver mode would open up possibilities for creating natural reverberations, as well as new opportunities for sound design. Since IR (Impulse Response) can convey not only room information but also effects like Disperser, which is very popular in modern sound design. Additionally, we shouldn’t forget that through IR, we can color our basses for Color Bass music and create Gun basses for Tearout Dubstep. https://youtu.be/etZIR8MP3XU?si=3LRi9nUChSL-AY9b The Current synthesizer, on its own, is very well-suited for such sounds. However, the lack of a Convolver mode prevents it from fully entering this world. The absence of this feature forces us to use external effects outside of the Current synthesizer, which means missing out on the ability to combine impulses with internal effects and compatibility with projects during collaborations when exchanging presets. And a mandatory feature of this mode should be the ability to pass specific frequencies through it. This was perfectly illustrated by the producer Oddprophet in the video linked above. This is quite important for preserving low and high frequencies, as there are cases when the impulse should not be applied to the entire spectrum. And, of course, we need features like stretching, pitch shifting, IR sample duration adjustment, as well as Fade In and Fade Out.
Filter drive added to the filters!!!!
Nothin More than what the title says.. we all need filter drive in our life!
A basic (starter) wavetable editor.
jakepenn_ wrote on the Discord channel: -Wavetable editor is cool but it’s also a very large and opaque thing to request. I think we should start with something simple. And just gradually develop it over time. If I were a developer, I’d consider starting the initial build of the editor with the most frequently used functions, namely: A harmonic editor — one of the most frequently used features by me and others. It provides the ability to fine-tune the fundamental harmonic as well as its neighboring ones, allowing for very precise control over low frequencies. The ability to remove frequencies that may cause aliasing when applying saturation/distortion. Or to redraw the timbre using a harmonic spectrum analyzer. For this level of editing, simple built-in wave warping modes could be created - such as high-pass and low-pass filters - which smoothly adjust harmonics based on filter principles. And also add a basic harmonic phase control function. A window for drawing waveforms - similar to the one in Kilohearts' editor. With automatic transitions between frames. And with drawing tools like: pen, pencil, and basic shapes such as sine, square, triangle. With the ability to place everything using a customizable grid snap. The pen should be able to draw shapes with sharp corners (e.g., with a regular left mouse click). Or with smoothed curves, similar to how it's done in Photoshop - when holding the left mouse button and dragging, enabling a smoothing function with adjustable angle slopes extending from the point: Points could be deleted by double-clicking the left mouse button. Last but not least - the ability to adapt samples into wavetables. This is exactly why everyone wants a wavetable editor and what gets used incredibly often. We need the ability to properly match a sample to the capabilities of a wavetable oscillator so it can be played back without artifacts. We need correction tools for this task. Some functions that smooth frames, distribute them along the sample length, normalize, etc. And thus, it would be possible to turn samples into wavetables themselves. These functions will already be enough for us to start creating interesting wavetables and designing sounds at a deeper level. In any case, some initial editor is needed, through which a further development roadmap can then be outlined. Because to find solutions and innovations, you need to encounter problems - meaning there must be an object of interaction, which currently doesn’t exist. A basic wavetable editor would help move in the direction discussed by jakepenn_: Honing in more on what you specifically want to do with a wavetable editor and the assessing if a wavetable editor is the best way to achieve that is an important thing to consider. Using it will provide insight into its flaws, strengths, what can be improved, and what can be added.
Re-sample
Re-sample to wt oscillator and to granular osc please
undo button
that is all.
Change GUI colors
Nothing crazy, it would be really nice to have some other color choices besides purple.
Current: Noise Oscillator
There’s already a “hidden” noise oscillator that can be used as a modulation source for oscillator FM/AM etc, but it would be great to expose this as a fully-fledged noise oscillator. That way, we could have control over filtering, slope, stereo correlation etc. Give us more tools to make fizz! :D
Current FX desk
Current FX, all effect in one plugin
Key tracking in frequency-based effects.
Add key tracking to the Hybrid Filter, Ripple Phaser, and Wave Shifter. Key tracking in such filters has to be used almost constantly when it comes to bass design. In the current situation, all adjustments can only be made for one specific note. But when you need to change that note, the entire timbre falls apart. And implementing key tracking via modulation is incredibly inconvenient and practically impossible when precise filter tuning is required.
Next up
No Next up issues
In Progress
1Actively being built
Done
2Recently shipped
Current: Output MIDI from Arp/Scale
Would love if current would output the internally generated MIDI from the scale/arp modules. I often want to layer or have another synth play some of the notes. (Pigments as an example supports this feature.)
In lucid it is annoying or a bug when selecting multiple curve automation points
When selecitng multiple point that are in square like configuration like in the video it also selects the points directly underneath it. But in this way I cannot bring up that line like i want to it always bring up the neighbouring points as well. Maybe a shift slet as well would be nice, being able to select multiple points to move them simultaniously